Hadrian the Seventh

Opening

In mind he was tired, worn out, by years of hope deferred, of loneliness, of unrewarded toil. In body he was almost prostrate by the pain of an arm on the tenth day of vaccination. Bodily pain stung him like a personal affront. “Someone will have to be made miserable for this,” he once said during the throes of a toothache. He was no stranger to mental fatigue: but, when to that was added corporeal anguish, he came near collapse. His capacity for work was constricted: the mere sight of his writing materials filled him with disgust. But, because he had a horror of being discovered in a state of inaction, after breakfast he sat down as usual and tried to write. Dazed in a torrent of ideas, he painfully halted for words: stumbling in a maze of words, he frequently lost the thread of his argument: now and then, in sheer exhaustion, his pen remained immobile. He sat in a small low armchair which was covered with shabby brocade, dull-red and green. An old drawing-board, of the large size denominated Antiquarian, rested on his knees. The lower edge frayed the brocade on the arms of the chair. His little yellow cat Flavio lay asleep on the tilted board, nestling in the bend of his left elbow. That was the only living creature to whom he ever spoke with affection as well as with politeness. His left hand steadied his MS., the sheets of which were clipped together at the top by a metal clip. At the upper edge of the board a couple of Publishers’ Dummies reposed, having the outward similitude of six-shilling novels: but he had filled their pages with his archaic handwriting. The first contained thoughts⁠—not great thoughts, nor thoughts selected on any particular principle, but phrases and opinions such as Sophokles’ denunciation,