Armed with Madness

I

In the house, in which they could not afford to live, it was unpleasantly quiet. Marvellously noisy, but the noises let through silence. The noises were jays, bustling and screeching in the wood, a hay-cutter, clattering and sending up waves of scent, substantial as sea-waves, filling the long rooms as the tide fills a blowhole, but without roar or release. The third noise was the light wind, rising off the diamond-blue sea. The sea lay three parts round the house, invisible because of the wood. The wood rose from its cliff-point in a single tree, and spread out inland, in a fan to enclose the house. Outside the verandah, a small lawn had been hollowed, from which the wood could be seen as it swept up, hurrying with squirrels, into a group of immense ilex, beech and oak. The lawn was stuck with yuccas and tree-fuchsias, dripping season in, season out, with bells the colour of blood.

Once the house was passed, the wood gave it up, enclosed it decently, fenced a paddock, and the slip of dark life melted into the endless turf-miles which ran up a great down into the sky.

The silence let through by the jays, the hay-cutter, and the breeze, was a complicated production of stone rooms, the natural silence of empty grass, and the equivocal, personal silence of the wood. Not many nerves could stand it. People who had come for a week had been known to leave next day. The people who had the house were interested in the wood and its silence. When it got worse, after dark or at midday, they said it was tuning-up. When a gale came up-Channel shrieking like a mad harp, they said they were watching a visible fight with the silence in the wood.